this is gentle in execution and gentle in theme I think you will agree. Also when I took the photo the sun shone a ray across the picture and I liked it so i have left it in. I think it enhances the painting - it makes the central portion look slightly translucent, don't you think?
I had a bit of a struggle painting this all the same - but when don't I struggle - but in the end it came together very satisfactorily. With nice washes of colour to build up the flesh tones and then slightly stronger paint to make the wings.
This idea came to me one morning when I was lying in bed looking up at the ceiling and out the balcony door at the blue sky. i was half dozing and half dreaming I think and I jsut started thinking about how wings are held together. I seem to have some memory - it might be a bird wing actually - that some of the feathers are latched together by organic hook and eyes. So I decided to use this system for these metamoth wings too. I thought it was just one simple thought in a painting. Not too crowded like some of my others. Sometimes that simplicity is just very relaxing.
I like thinking about how things work; wings, crests on birds, lizard feet and those great long lizard tongues that shoot out to catch insects, insect feet on water, how seeds germinate and how they get from a to b, how fingers and toes bend and point and how chestnuts open and how they protect their seeds. The list is endless and as varied as the whole world. It gives me something to do in the early hours of the morning though.
Today being Monday I thought i would ease myself in to the week on moth wings.